Music, Theology, Culture
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Köp båda 2 för 1163 krD. Arnold, Choice A noted Bach scholar, Rathey (Yale) presents a masterful holistic study that includes both in-depth musical analyses and in-depth investigations of the environment in which the oratorio was created. Rathey carefully explains Bachs considerable use of the parody technique, in which he reworked music he had written for earlier cantatas. Offering a detailed study of many contemporaneous writings about the role of Christmas in the Lutheran theology and culture of Bachs world, the book provides crucial understanding of Bachs musical and spiritual interpretations of the text. This important study is a must for students of music and will also be helpful for the study of German theological and cultural history.
Markus Rathey is Associate Professor of Music History at Yale University. His research focuses on music in the second half of the 17th century, Johann Sebastian Bach, and the Bach family. His books include a study on C.P.E. Bach's political compositions and an introduction to J.S. Bach's major vocal works. He is vice president of the American Bach Society and associate editor of the Yale Journal of Music and Religion.
Acknowledgements A note on translations 1. Prologue 2. Redefining Christmas 3. Layers of Time - The Theology of the Christmas Oratorio 4. Bach's Oratorio Concept 5. Planning the Oratorio 6. Dichotomies (Part I) 7. Mundane and Celestial Harmonies (Part II) 8. Inward Mobility (Part III) 9. What's in a Name? (Part IV) 10. Paths of Enlightenment (Part V) 11. The Bridegroom and the Enemy (Part VI) 12. Looking ahead - An Epilogue Bibliography Index