Empirical Musicology (inbunden)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
240
Utgivningsdatum
2004-03-01
Förlag
OUP USA
Medarbetare
Cook, Nicholas
Illustrationer
38ill.7tabs.M. 25halftones, 10mus ex
Dimensioner
240 x 163 x 18 mm
Vikt
519 g
Antal komponenter
1
Komponenter
52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam
ISBN
9780195167498
Empirical Musicology (inbunden)

Empirical Musicology

Aims, Methods, Prospects

Inbunden, Engelska, 2004-03-01
1458
  • Skickas inom 3-6 vardagar.
  • Gratis frakt inom Sverige över 199 kr för privatpersoner.
Finns även som
Visa alla 3 format & utgåvor
This book provides a practical guide to empirical approaches that are ready for incorporation in the contemporary musicologist's toolkit, including perspectives from music theory, computational musicology, thnomusicology, and the psychology and sociology of music.
Visa hela texten

Passar bra ihop

  1. Empirical Musicology
  2. +
  3. Zero Waste Patterns

De som köpt den här boken har ofta också köpt Zero Waste Patterns av Birgitta Helmersson (häftad).

Köp båda 2 för 1677 kr

Kundrecensioner

Har du läst boken? Sätt ditt betyg »

Fler böcker av Eric Clarke

Recensioner i media

Notes With Cook's emphasis on humanist values and DeNora's emphasis on social conscience, this book goes a long way to exposing the fallacy of this presumed association. In distinguishing empirical methods from positivist philosophy, this volume makes an essential and welcome contribution to the development of music scholarship. While Empirical Musicology is not without its seams, editors Eric Clarke and Nicholas Cook have succeeded in assembling a whole cloth. Given the
increasing interest in systematic and observation-based musical research, this book has appeared at just the right moment in time.


Notes With Cook's emphasis on humanist values and DeNora's emphasis on social conscience, this book goes a long way to exposing the fallacy of this presumed association. In distinguishing empirical methods from positivist philosophy, this volume makes an essential and welcome contribution to the development of music scholarship. While Empirical Musicology is not without its seams, editors Eric Clarke and Nicholas Cook have succeeded in assembling a whole cloth. Given the
increasing interest in systematic and observation-based musical research, this book has appeared at just the right moment in time.