- Format
- Häftad (Paperback)
- Språk
- Engelska
- Antal sidor
- 572
- Utgivningsdatum
- 2011-03-03
- Förlag
- OUP USA
- Illustrationer
- black & white illustrations
- Dimensioner
- 231 x 152 x 33 mm
- Vikt
- Antal komponenter
- 1
- Komponenter
- 449:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Matte Lam
- ISBN
- 9780195390315
- 817 g
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Cambridge Handbook of Intellectual Property in Central and Eastern Europe
Mira T Sundara Rajan
Intellectual property law faces serious challenges worldwide, with many in the international community arguing that the law fails to provide much-needed support for either individual rights or the public interest in the technological environment.T...
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Collected English Writings
C Subramania Bharati, Mira T Sundara Rajan
Recensioner i media
Mira T. Sundara Rajan, Learned Publishing As much a cultural history as a book about copyright and the related moral rights, this book offers a fascinating angle on copyright, with surprising relevance for the modern publishing industry.
Övrig information
<br>Mira T. Sundara Rajan is the Canada Research Chair in Intellectual Property Law and Director of the Intellectual Property Law Program at the University of British Columbia. She has published widely on copyright issues, including a scholarly book entitled Copyright and Creative Freedom, Routledge 2006. Her work is also well-known in the European Union, where she collaborates regularly with EU bodies such as the Council of Europe, and with a number of patent offices in EU countries. She is also the editor of Intellectual Property: Eastern Europe and the Commonwealth of Independent Statespublished with regular updates by Oxford University Press. She is an expert on Indian and Russian copyright law.<br>
Innehållsförteckning
I. INTRODUCTION: MORAL RIGHTS IN THE DIGITAL AGE II. MORAL RIGHTS: HISTORY OF AN IDEA III. A THEORY IN FLUX: THE EVOLUTION IN PROGRESS OF MORAL RIGHTS IV. MORAL RIGHTS IN THE INTERNATIONAL COPYRIGHT REGIME V. THE PROGRAMMER AS AUTHOR: VI. MORE THAN MUSICIANS: MORAL RIGHTS AND DIGITAL ISSUES IN MUSIC VII. TWENTY-FIRST CENTURY CLASSICS: FILM AND THE COMPLEXITIES OF THE COLLABORATIVE WORK VIII. FRIENDS OR ENEMIES? MORAL RIGHTS AND OPEN ACCESS IX. CONCLUSION: MORAL RIGHTS AND THE FUTURE OF COPYRIGHT LAW