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Köp båda 2 för 1152 krFinancial Times ..research is superb, and most readers, of either sex, will find her books at once fascinating and infuriating
firm historical perspective combined with vivid, bristling detail..valuable as well as interesting..Flint..is the first person to analyse the whole spectrum of debate..she constantly overturns imposed stereotypes..sure grasp of theory lets her handle the mass of material with assurance.. Independent on Sunday
T.L.S. ..addresses the Victorian essentialism, largely unchallenged to the present day..many felicitous and arresting things in The Woman Reader..depth and detail of Flint's exposition constantly reveal new information and new ways of looking at the familiar ..scrupulously examines the persistent attempts to establish a regulative canon of books for girls.
Clarke, Choice, Mar '94 In and among the rich tapestry of references Flint weaves her own text..exhaustive bibliography.
YES 26, 1996 ..the abundance of information made available in The Woman Reader is beyond praise..with such riches the problem of organizing for the reader's comfort and convenience is almost insurmountable..Some books are to be savored, some mastered, some mined. This one is to be mined. It is encyclopedic. Ruth Z. Temple, CUNY, English Lit. in Transition 1880-1920, Volume 28: 2 1995
Victorian Studies Kate Flint is a competent researcher
Clare Brant, King's College, London, RES New Series, Vol. XLVII, No. 186 (1996) The book's great strength is its extensive trawling of sources ... sorted, sifted, assessed, and displayed with precision and skill, the specimens collectively support, a persuasive taxonomy of female reading ... this book is a valuable contribution to feminist understanding of the woman reader.
Sally Ledger, Women: A Cultural Review, Vol. 7, No. 2, '96 Kate Flint's account of the woman reader during the Victorian and Edwardian periods is brimming over with diverting and suggestive extracts ... This is an incredibly learned and well-researched study of the woman reader in the Victorian and Edwardian periods, and Flint's talent is a thoroughly historical one. The wealth of source material and sheer weight of the research undertaken means that Flint's study is expository, explanatory and scholarly rather than polemical. It will certainly be the standard book on the subject for many years to come, and should be regarded as essential reading for any student of the Victorian 'Woman Question'.
Eileen Gillooly, Common Knowledge exhaustive and engrossing study
Patrick Scott, Bibliographical Society of America 90:3 (September 1996) this is a usefully old-fashioned study, a rich mishmash of specific incidents, quotations, anecdotes, and other straws in the historical wind ... this is a very worthwhile book that will provide valuable cultural background not only for literary critics, but also for more hardheaded book historians
Kate Flint was previously lecturer at the University of Bristol, and Fellow and Tutor in English at Mansfield College, Oxford. She edited the World's Classics edition of Dickens's Great Expectations (1994), edited and introduced the WC edition of Trollope's Can You Forgive Her? (1982). Her other publications include Elizabeth Gaskell (Northcote House, 1994), Dickens (Harvester, 1986), and as editor The Victorian Novelist (Croom Helm, 1987), Virginia Woolf's The Waves (Penguin, 1992), and Impressionists in England (Routledge, 1984).
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