PDF med Adobe-kryptering
Om Adobe-krypteringPDF-böcker lämpar sig inte för läsning på små skärmar, t ex mobiler.
- Kan laddas ned under 24 månader, dock max 3 gånger.
- Antal sidor
- Oxford University Press
Du kanske gillar
48 Laws of Power
The War on the West
Choreographing Copyright E-bok
Race, Gender, and Intellectual Property Rights in American Danceav Anthea Kraut439Laddas ned direkt
Läs i vår app för iPhone, iPad och AndroidChoreographing Copyright is a new historical and cultural analysis of U.S. dance-makers' investment in intellectual property rights. Stretching from the late nineteenth century to the early twenty-first, the book reconstructs efforts to win copyright protection for choreography and teases out their raced and gendered politics, showing how dancers have embraced intellectual property rights as a means to both consolidate and contest racial and gendered power. A number of the artists featured in the book are well-known in the history of American dance, including Loie Fuller, Hanya Holm, and Martha Graham, Agnes de Mille, and George Balanchine. But the book also uncovers a host of marginalized figures--from the South Asian dancer Mohammed Ismail, to the African American pantomimist Johnny Hudgins, to the African American blues singer Alberta Hunter, to the white burlesque dancer Faith Dane--who were equally interested in positioning themselves as subjects rather than objects of property. Drawing on critical race and feminist theories and on cultural studies of copyright, Choreographing Copyright offers fresh insight into the raced and gendered hierarchies that govern the theatrical marketplace, white women's historically contingent relationship to property rights, legacies of ownership of black bodies and appropriation of non-white labor, and the tension between dance's ephemerality and its reproducibility.
KundrecensionerHar du läst boken? Sätt ditt betyg »
Fler böcker av Anthea Kraut
While Zora Neale Hurston and her 1937 novel Their Eyes Were Watching God have become widely celebrated, she was also a prolific stage director and choreographer. In the 1930s Hurston produced theatrical concerts that depicted a day in the life of ...