Tourism, Nationalism, and Performance
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Köp båda 2 för 1644 krProposing the innovative concept of palimpsest bodies to interpret provocative theatre and performance experiments that explore issues of cultural memory, bodies of history, archives, repertoires and performing remains, Ruth Hellier-Tinoco offers ...
Susanna Rostas, Latin American Studies This is a long but well-researched study and an important book, not so much because it is about dance per se - although there is ample footage on the accompanying website, which is a useful addition - but rather because it is about its miliey during an important phase of Mexican social history.
<br>Ruth Hellier-Tinoco is a professor in the Departments of Music and Theater/Dance at the University of California, Santa Barbara. Her research engages the fields of performance studies, ethnomusicology, dance anthropology, theater studies, Latin American history, and community arts.<br>
Part One: Setting the Scene: Many Mexicos; Introduction; 1. Beyond Your Expectations: Twentyfirst Century Mexico; 2. Discursive Communities: Performism, Nationalism, and Tourism; Part Two: Tracing Ninety Years of Performism; 3. Forging the Nation: the Postrevolutionary Years; 4. Appropriation and Incorporation: From Island Village to Capital City; 5. Destination Lake Patzcuaro: Creating a Tourist Attraction with Night of the Dead; 6. Authentic Mexican Dances: The Palace of Fine Arts and Across the Border; 7. Films, Visual Images, and Folklorico: Belonging, Difference, and Bodies; 8. Experiencing Night of the Dead: Festivals, Contests, and Souvenirs; 9. Disseminating The Old Men: Mexico City, Europe, the World; 10. Keeping It Local: Reappropriation, Migration, and the Zacan Festival; Part Three: Embodiment, Photographs, and Economics; 11. In the Body: Indigenous Corporeality, Work, and Interpretation; 12. Capturing Bodies: Postcards, Advertising, and the World's Fair; 13. Celebrating and Consuming Bodies: Economic and Symbolic Production