In Dora's Case (häftad)
Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
344
Utgivningsdatum
1985-05-01
Förlag
Columbia University Press
Originalspråk
English
Illustrationer
black & white illustrations
Dimensioner
216 x 140 x 21 mm
Vikt
540 g
Antal komponenter
1
ISBN
9780231059107

In Dora's Case

Freud, Hysteria, Feminism

Inbunden,  Engelska, 1985-05-01
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Knight explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to the mid-1980s. It examines the American dominance of the German market place, the development of a film subsidy system, the notion and politics of an Autorenkino, the framework of European art cinema, and distribution and exhibition initiatives that helped shape a new national cinema.
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Recensioner i media

"Articles collected here appear in other places...but they are a neccessary background to the...revisionist readings that follow...To have them within a single set of covers is a welcome convenience; and [readers] will find the editor's introductory material useful in focusing the debate." -- The Women's Review of Books "These new writings -- feminist, deconstructive, and Lacanian, for the most part -- have a wild playfulness and a sort of sexual sparkle that...give them an extraordinary verve...The sex-playful explications of Gallop, Moi, Hertz, et al....carry an unmistakable transferential weight." -- Janet Malcolm, The New Yorker "Articles collected here appear in other places...but they are a neccessary background to the...revisionist readings that follow...To have them within a single set of covers is a welcome convenience; and [readers] will find the editor's introductory material useful in focusing the debate." -- "The Women's Review of Books" "These new writings -- feminist, deconstructive, and Lacanian, for the most part -- have a wild playfulness and a sort of sexual sparkle that...give them an extraordinary verve...The sex-playful explications of Gallop, Moi, Hertz, et al....carry an unmistakable transferential weight." -- Janet Malcolm, "The New Yorker" "These new writings -- feminist, deconstructive, and Lacanian, for the most part -- have a wild playfulness and a sort of sexual sparkle that...give them an extraordinary verve...The sex-playful explications of Gallop, Moi, Hertz, et al....carry an unmistakable transferential weight." -- Janet Malcolm, "The New Yorker" "Articles collected here appear in other places...but they are a neccessary background to the...revisionist readings that follow...To have them within a single set of covers is a welcome convenience; and [readers] will find the editor's introductory material useful in focusing the debate." -- "The Women's Review of Books"

Övrig information

Julia Knight is Principal Lecturer in the Media Arts department at the University of Luton. She has published widely on German cinema and various aspects of British independent film and video.