I have read other plays on the subject of a stillborn child, but none that live in such an existential plane, none as elegant in formal structure, none with language both surreal and trashy, none as funny, and none as moving.Marsha Norman, from the Foreword -- Marsha Norman
Jen Silverman recently held a Lila Acheson Wallace fellowship at Juilliard. Previously produced plays include Crane Story and Phoebe in Winter. Her play All the Roads Home was selected for the 2013 Playwrights Conference at the Eugene ONeill Theater Center in Waterford, CT. In addition, she writes poetry and fiction, and has been published in Ploughshares and the LA Review. She lives in Astoria, NY.