Writing the Body in D.H. Lawrence

PAUL POPLAWSKI is Director of Studies at Vaughan College, University of Leicester. He has taught widely in 19th and 20th century literature and specializes in D. H. Lawrence, Modernism, and Jane Austen. He recently published a revised 3rd edition of Warren Robets' A Bibliography of D. H. Lawrence (2001). He is also the author of D. H. Lawrence: A Reference Companion (Greenwood, 1996), and A Jane Austen Encyclopedia (Greenwood, 1998), and editor of Writing the Body in D. H. Lawrence (Greenwood, 2001).

Preface Introduction D.H. Lawrence and the Abject Body: A Postmodern History by Garry Watson D.H. Lawrence's Representation of the Body and the Visual Arts by Stefania Michelucci Interwoven Words, Interactive Feelings: Paul Morel and Sons and Lovers by Helen Baron D.H. Lawrence's "Perfervid" Futuristic Style in the Writing of the Body in The Rainbow by Andrew Harrison Women in Love: Amazons at War--or Lawrence's Subversive Archetypes by Izabel Brandao Lawrence's Allegory of Love: Modes of Metaphor and Meaning in Women in Love by Kyoko Kay Kondo D.H. Lawrence Unbuttoned: Aaron's Rod, Kangaroo, and the Influence of Lev Shestov by See-Young Park St. Mawr and the Ironic Art of Realization by Paul Poplawski Thinking and Writing from the Body: Eugene Gendlin, D.H. Lawrence and "The Woman Who Rode Away by M. Elizabeth Sargent With Lawrence in America, from House/Wife to Nomad: The Plumed Serpent by Carol Siegel Contemporary Censors and Publishers of Lady Chatterley's Lover: Prohibiting the Body with Just Another Dirty Book by Jay Gertzman Stripping off the "civilized body:" Lawrence's nostalgie de la boue in Lady Chatterley's Lover by Katie Gramich "Glad Wombs" and "Friendly Tombs:" Re-embodiments in D.H. Lawrence's Late Works by Maria Aline Ferreira Index