Stanislavski's Legacy (häftad)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
219
Utgivningsdatum
1980-11-01
Upplaga
Reissue
Förlag
Methuen Drama
Översättare
Jean Benedetti
Originalspråk
Russian
Illustrationer
index
Dimensioner
198 x 129 x 15 mm
Vikt
186 g
ISBN
9780413477705
Stanislavski's Legacy (häftad)

Stanislavski's Legacy

A Collection of Comments on a Variety of Aspects of an Actor's Art and Life

Häftad Engelska, 1980-11-01
209
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"The most informal - and in some ways the most delightful - of all Stanislavski books" - Sir Michael Redgrave No one has had a greater influence on acting as we know it than Stanislavski. His "method" - or interpretations of it - has become the central force determining almost every performance we see on stage or screen.Stanislavski's Legacy is a companion volume to his three great teaching books, An Actor Prepares, Building a Character and Creating a Role. It is a carefully arranged selection of the articles, speeches, notes and memoirs written between 1898, when the Moscow Art Theatre opened, and his death in 1938. Among the items are a series of brilliant letters on the interpretation of Othello, the long and affectionate article "Memories of Chekhov" and a final section in which Stanislavski envisages the theatre and the actors of the future."The legacy which Stanislavski and his collaborators have left us is, in all truth, magnificent; and its benefits are available not only to the actor and actress but to everyone who aspires to become a rounded human being" - Observer
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Constantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting. Constantin Stanislavski died in 1938 and is the most influential person in actor training to date. As co-founder of the Moscow Art Theatre, he developed his theories of acting.