Wittgenstein, Theory and the Arts (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
320
Utgivningsdatum
2006-05-01
Förlag
Routledge
Medarbetare
Turvey, Malcolm
Illustrationer
black & white illustrations
Dimensioner
234 x 156 x 17 mm
Vikt
445 g
Antal komponenter
1
Komponenter
49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam
ISBN
9780415408257

Wittgenstein, Theory and the Arts

Häftad,  Engelska, 2006-05-01
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This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
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Recensioner i media

'This is an interesting collection ... all the essays are worth reading.' - Notre Dame Philosophical Reviews 'A carefully structured and finely nuanced investigation of Wittgenstein, theory and the arts ... this anthology is most effective and it's approach most helpful.' - British Journal of Aesthetics 'This collection is well worth reading.' - Lloyd Reinhardt, Literature and Aesthetics 'This is an interesting collection ... all the essays are worth reading.' -Notre Dame Philosophical Reviews 'A carefully structured and finely nuanced investigation of Wittgenstein, theory and the arts ... this anthology is most effective and it's approach most helpful.' - British Journal of Aesthetics

Övrig information

Richard Allen is Associate Professor of Cinema Studies at New York University. Malcolm Turvey teachs film history at Sarah Lawrence College in New York State.

Innehållsförteckning

Chapter 1 Wittgensteins Later Philosophy, Richard Allen, Malcolm Turvey; Part 1 Wittgenstein, the Humanities and Art; Chapter 2 Wittgenstein and the Autonomy of Humanistic Understanding, P.M.S. Hacker; Chapter 3 Wittgenstein on Language, Art and Humanity, Oswald Hanfling; Chapter 4 Wittgenstein, Performing Art and Action, Graham McFee; Chapter 5 Is Scepticism a Natural Possibility of Language?, Malcolm Turvey; Chapter 6 The Urn and the Chamber Pot, John Hyman; Part 2 Theory and the Arts; Chapter 7 Language and Painting, Border Wars and Pipe Dreams, Ben R. Tilghman; Chapter 8 Cognitive Film Theory, Richard Allen; Chapter 9 The Coded-Message Model of Literature, Severin Schroeder; Chapter 10 Wittgenstein on Consciousness and Language, Charles Altieri; Chapter 11 Wittgenstein, Freud and the Nature of Psychoanalytic Explanation, Louis A. Sass;