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Köp båda 2 för 1280 krAbout the authors Bo Goeranzon Professor, Skill and Technology, Industrial Economics and Management, Royal Institute of Technology (KTH), Stockholm. Artistic Director, the Dialogue Seminar, The Royal Dramatic Theatre, Stockholm. Professor Goeranzon is a well-published author with sixteen titles to his name. He has also published journals, research reports and essays. Maria Hammaren Researcher, writer, Skill and Technology, Industrial Economics and Management, Royal Institute of Technology (KTH), Stockholm. Richard Ennals Professor at The Centre for Working Life Research, Kingston University, London. Professor Ennals is a visiting Professor at The Royal Institute of Technology and the Swedish National Institute for Working Life in Stockholm.
List of Contributors ix Introduction 1 Richard Ennals Part 1 Dialogue and Skill 7 Chapter 1 The Practice of the Use of Computers: A Paradoxical Encounter between Different Traditions of Knowledge 9 Bo Goeranzon Chapter 2 Writing as a Method of Reflection 22 Maria Hammaren Chapter 3 The Dialogue Seminar as a Foundation for Research on Skill 46 Adrian Ratkic Chapter 4 The Methodology of the Dialogue Seminar 57 Bo Goeranzon and Maria Hammaren Part 2 Theatre and Work 67 Chapter 5 A Dwelling Place for Past and Living Voices, Passions and Characters 69 Erland Josephson Chapter 6 Theatre and Knowledge 73 Allan Janik Part 3 Case Studies 85 Chapter 7 Dialogue Seminar as a Tool: Experience from Combitech Systems 87 Niclas Fock Chapter 8 Maximum Complexity 110 Christer Hoberg Chapter 9 Better Systems Engineering with Dialogue 135 Goeran Backlund and Jan Sjunnesson Chapter 10 Some Aspects of Military Practices and Officers' Professional Skills 152 Peter Tillberg Chapter 11 Science and Art 175 Karl Duner, Lucas Ekeroth and Mats Hanson Part 4 Dialogue Seminar As Reflective Practice 187 Chapter 12 Tacit Knowledge and Risks 189 Bo Goeranzon Chapter 13 Skill, Storytelling and Language: on Reflection as a Method 203 Maria Hammaren Chapter 14 Reading and Writing as Performing Arts: at Work 216 Oyvind Palshaugen Chapter 15 Knowledge and Reflective Practice 229 Kjell S. Johannessen Chapter 16 Dialogue, Depth, and Life Inside Responsive Orders: From External Observation to Participatory Understanding 243 John Shotter Part 5 Tacit Knowledge and Literature 267 Chapter 17 Rule Following, Intransitive Understanding and Tacit Knowledge: An Investigation of the Wittgensteinian Concept of Practice as Regards Tacit Knowing 269 Kjell S. Johannessen Chapter 18 Henrik Ibsen: Why We Need Him More Than Ever 295 Allan Janik Part 6 Conclusions 305 Chapter 19 Theatre and Workplace Actors 307 Richard Ennals Chapter 20 Training in Analogical Thinking: The Dialogue Seminar Method in Basic Education, Further Education and Graduate Studies 320 Bo Goeranzon, Maria Hammaren, Adrian Ratkic Index 334