- Format
- Inbunden (Hardback)
- Språk
- Engelska
- Antal sidor
- 296
- Utgivningsdatum
- 2017-07-20
- Förlag
- Thames & Hudson Ltd
- Medarbetare
- Soulages, Pierre (foreword)
- Illustratör/Fotograf
- 80 illustrations
- Illustrationer
- 60 Illustrations, black and white; 20 Illustrations, color
- Dimensioner
- 251 x 157 x 28 mm
- Vikt
- Antal komponenter
- 1
- ISBN
- 9780500051870
- 590 g
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Recensioner i media
'A brilliantly researched, global survey of the very first stirrings of human art, which shows us, with admirable objectivity, that there is a deep-seated urge in all human beings to go beyond mere survival and impose visually creative patterns on our world, making us the first truly artistic animal' - Desmond Morris
Övrig information
Michel Lorblanchet is a leading French specialist in the field of Palaeolithic art. In his former roles as Director of Research at the French National Centre for Scientific Research (CNRS) and research consultant for the Australian Institute of Aboriginal and Torres Strait Islander Studies he pioneered experimental methods of reproducing ancient art, as well as scientific methods for its dating. His Art parietal: Grottes ornees du Quercy (Editions du Rouergue, 2010), the sum of forty-five years of research, is considered the definitive work on the art of the Quercy region, which includes more than thirty painted caves. Paul Bahn is co-author of Thames & Hudson's bestselling Archaeology: Theories, Methods and Practice, and author of Images of the Ice Age, widely regarded as the standard introduction to cave art.
Innehållsförteckning
Introduction: What is Art? * 1. Early Attempts to Tackle the Problem: Theories, Chimps and Children * 2. Finding art in Nature: the first stirrings of an aesthetic sense * 3. Can we see art in the first tools? * 4. All work and no play? Looking at marks on bones and stones * 5. Figuring it out - the first carvings * 6. Jingles and bangles: seeking the origins of music and decorated bodies * 7. First art in the landscape * 8. The writing's on the wall * 9. The appearance of rock art around the world * Conclusion