Eccentric Experience
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Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
Editorial introduction: Ec/centric affinities: Locations, aesthetics, experiences ae' Marsha Meskimmon and Dorothy Rowe 1. Gendering the multitude: feminist politics, globalisation and art history ae' Angela Dimitrakaki 2. Women, art, migration and diaspora: The turn to art in the social sciences and the 'new' sociology of art? ae' Maggie O'Neill 3. Finding a different way home ae' Misha Myers in conversation with Tracey Warr 4. On foreign discomfort: Magdalena makeup live art event ae' Lena Simic 5. 'How we live today ...' ae' Florence Ayisi in dialogue with Mo White 6. Here, there and in-between: South African women and the diasporic condition ae' Marion Arnold 7. Image-making with Jeanne Duval in mind: Photoworks by Maud Sulter, 1989ae'2002 ae' Deborah Cherry 8. Alison Lapper Pregnant: Embodied geographies, post-imperial identities and public sculpture in London's Trafalgar Square ae' Rosemary Betterton 9. Diasporic unwrappings ae' Lubaina Himid in conversation with Jane Beckett 10. A Burd's eye view: Paula Rego's Abortion series ae' Michele Waugh 11. Testing the limits: Oreet Ashery in conversation with Dorothy Rowe Index