To the Break of Dawn (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
200
Utgivningsdatum
2008-05-01
Förlag
New York University Press
Illustratör/Fotograf
black & white illustrations
Illustrationer
black & white illustrations
Dimensioner
228 x 153 x 5 mm
Vikt
286 g
Antal komponenter
1
Komponenter
402:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Matte Lam
ISBN
9780814716717
To the Break of Dawn (häftad)

To the Break of Dawn

A Freestyle on the Hip Hop Aesthetic

Häftad,  Engelska, 2008-05-01
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2007 Arts Club of Washington's National Award for Arts Writing - Finalist SEE ALSO: Pimps Up, Ho's Down: Hip Hop's Hold on Young Black Women by T. Denean Sharpley-Whiting. An inside look into the beats, lyrics, and flow of hip-hop's history With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam. The four pillars of hip hop-break dancing, graffiti art, deejaying, and rapping-find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants' turnstile artistry. Tracing hip-hop's relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman. Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.
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Recensioner i media

"With poetic passion and surgical precision, William Jelani Cobbs engaging exploration of the hip hop aesthetic lovingly demonstrates that, when it comes to beats and rhymes, the beauty of the (bass) god resides in the details." -- Joan Morgan,author of When Chickenheads Come Home to Roost "Wow! To the Break of Dawn is a crucial contribution to hip hop history. I'm thrilled that William Jelani Cobb has documented hip hop's relationship to the blues. If you want to truly understand how hip hop was born, read this book." * MC Lyte * "To the Break of Dawn tells the serious story of hip hop's artistic roots, and in the process revels in the great MCs who stand at the crossroads of music and literature. In a crowded field of hip hop scholars, pundits, and journalists, To the Break of Dawn puts William Jelani Cobb way out in front." -- Ta-Nehisi Coates "At a time when academics are just beginning to recognize hip hop as a legitimate form, William Jelani Cobb, a child of rap himself, brings an unparalleled level of understanding to the music. His historically informed yet hip-to-the-tip viewpoint roots readers in the art form rather than the hype." -- Chuck D "Finally, a hip hop study that captures the verve and swagger that marked the work of our critical forebears Albert Murray and Amiri Baraka. In his brilliant new tome, William Jelani Cobb bridges the gap between the majesty of the blues and the gully regality of hip hop." -- Mark Anthony Neal,author of New Black Man "Upon finishing To The Break of Dawn any objective fan will acknowledge that Cobb has done a commendable job in chronicling raps evolution and explaining its multiple influences and impact." * City Paper * "This book makes an important contribution to hip-hop history. . . . Cobbs writing style is engaging, and the book benefits from the legitimacy provided by the author's background: he is a former MC who grew up with the culture." * Choice * "To the Break of Dawn marks a crucial turning point in hip-hop writing. . . . By opening the discourse on hip-hops aesthetic, Cobb spearheads a new sub-genre, and perhaps a return or revolution in hip-hop aesthetics." * Black Issues Book Review * "Vital stuff for hip hop fans eager to know more about their favorite cultural idiom's development and underpinnings." * Booklist * "Cobb has contributed a worthy study to the growing literature on hip-hop." * Popular Music * "What makes William Jelani Cobbs To the Break of Dawn so refreshing is that it centers on what hip-hop is, rather than on what it does. Eschewing the common practice of treating rap lyrics as just another way to talk about race, politics or the self, Cobb treats them as art. His aim is ambitious: to articulate hip-hop's aesthetic principles while tracing its roots back to the & ancestral poetic and musical traditions of black oral culture, from Sunday sermons to gut-bucket blues. To the Break of Dawn celebrates lyrical invention, the artists and even the particular rhymes that make hip-hop great. For the uninitiated, it is Hip-Hop 101, offering a rich overview of rap's verbal artistry. For the aficionado, it alternately affirms and challenges deeply held beliefs of what is valuable in hip-hop." * Washington Post Book World * "To the Break of Dawn dissects the evolution of hip hop lyricism from its most primitive beginnings to its current manifestation as a global phenomenon. Author Jelani Cobb examines issues of race, geography, genre and bravado in this overview of hip hops lyrical art. Covering words from B.I.G., Cube, Obie Trice and Pimp C, Cobb offers an intellectual and up-to-date report on hip hops most powerful element." * The Source Magazine * "[P]eels back the many digitized layers of hip-hop to explore the evolution of the MC, from African folkloric traditions to the global (and often hypercommercial) phenomenon it is today.&quo

Övrig information

William Jelani Cobb is Assistant Professor of History at Spelman College and editor of The Essential Harold Cruse: A Reader. He is a contributing writer at Essence magazine, and his music criticism and essays have also appeared in the Washington Post, Emerge, and the Progressive. His website can be found at www.jelanicobb.com. He resides in Atlanta, Georgia.

Innehållsförteckning

Microphone Check: An Intro The Roots The Score Word of Mouth Asphalt Chronicles: Hip Hop and the Storytelling Tradition Seven MCs Conclusion Shout Outs Notes Index About the Author