Coleridge, Language and Criticism (inbunden)
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Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
232
Utgivningsdatum
2008-04-01
Förlag
University of Georgia Press
Originalspråk
English
Illustrationer
Illustrations, black and white
Dimensioner
216 x 140 x 13 mm
Vikt
300 g
Antal komponenter
1
Komponenter
1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam
ISBN
9780820332406

Coleridge, Language and Criticism

av Timothy Corrigan
Häftad,  Engelska, 2008-04-01
557
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Coleridge, Language and Criticism Kan levereras innan julafton!
Long celebrated as a great aesthetic idealist and champion of the imagination, Coleridge is now beginning to be understood as a literary critic with many other dimensions, with exciting and far-reaching insights into language, and with detailed notions about the psychological, historical, and linguistic demands of the literary experience. In this study, Timothy Corrigan sees Coleridge's criticism as "the product of an actively self-conscious reader, of a precise user of language, and, most of all, of a historical man involved with the demands of his day." Specifically he studies the relationship between the language of Coleridge's criticism and his interests in politics, psychology, science, and theology. Corrigan concludes that Coleridge's work is not a closed and strictly defined system but an extraordinarily diverse one that responds sympathetically to new angles of research. His study is first and foremost an investigation of Coleridge's criticism based on Coleridge's own ideas about language and reading. While taking its particular direction from a variety of contemporary literary theories, the book is most concerned with how Coleridge's critical prose and theoretical positions anticipate these in an exceptionally complex way.
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Övrig information

TIMOTHY CORRIGAN is a professor of cinema studies, English, and history of art at the University of Pennsylvania. Besides a range of essays on Hazlitt, Keats, and De Quincey, his books include New German Film: The Displaced Image, The Films of Werner Herzog: Between Mirage and History, Writing About Film, A Cinema Without Walls: Movies and Culture After Vietnam, Film and Literature: An Introduction and Reader, and The Film Experience. His articles have appeared in Philological Quarterly, the Journal of the History of Ideas, and numerous film journals. His most recent project, The Essay Film, returns to his earlier work in British romanticism to trace the evolution of the essayistic in contemporary film practices.

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