Adaptation in Contemporary Culture

"This is a fresh and exciting collection of essays. Its embrace of different media - ranging from film, television, and performance, through visual documents such as maps and photographs, through to digital technologies - extends our understanding of adaptation as a field of study." - Julie Sanders, Professor of English Literature and Drama, University of Nottingham, UK "This collection takes an original approach to, and provides a thorough coverage of, themes that have caught the attention of adaptation scholars in recent years. The contributors demonstrate how adapted texts and intertexts are mediations of history and cultural memory. They sample the 'signature' dishes of literary and screen authors and explain why and how they have been served up for consumption in various forms across a proliferating range of media sites. They share with us the individual and collective pleasures and frustrations of being a fan. In their hands, adaptation becomes a defining act in the production and consumption of postmodern culture." - Dr. Gillian Allard, Head of Centre for Research and Enterprise in Creative & Cultural Industries, Cardiff School of Creative & Cultural Industries, University of Glamorgan, UK "Scholars of English literature, drama, film, and other media consider the adaptation of a work of literature as a translation and interpretation, which is a cultural practice that exemplifies key trends in postmodern culture. The themes are remaking fidelity, after-images, reproducing the past, and afterlives. Among specific topics are stage adaptation and the problem of presence; Charlotte's website: media transformation and the intertextual web of children's culture; the 2005 Bleak House as an example of historicizing the classic novel; and Jane Austen, adaptation, and celebrity."-Eithne O'Leyne, BOOK NEWS, Inc. Review in Screen, Summer 2010 Reviewed in The Year's Work in English Studies, Volume 90

Rachel Carroll is Principal Lecturer and Subject Group Leader in English Studies at the University of Teesside, UK.

1. Introduction: Textual infidelities, Rachel Carroll (University of Teesside, UK); Part I: Remaking fidelity; 2. Heavy bodies, fragile texts: stage adaptation and the problem of presence, Frances Babbage (University of Sheffield, UK); 3. Reflections on the surface: remaking the postmodern with van Sant's Psycho, Catherine Constable (Warwick University, UK); 4. Affecting fidelity: adaptation, fidelity and affect in Todd Haynes's Far From Heaven, Rachel Carroll (University of Teesside, UK); 5. The folding text: Doctor Who, adaptation and fan fiction, Christopher Marlow (University of Lincoln, UK); Part II: After-images; 6. 3:10 again: a remade Western and the problem of authenticity, Pete Falconer (Warwick University, UK); 7. Child's play: participation in urban space in Weegee's, Dassin's and Debord's versions of Naked City, Joe Kember (University of Exeter, UK); 8. Charlotte's weblog: media transformation and the intertextual web of children's culture, Cathlena Martin (University of Florida, USA); 9. 'Stop writing or write like a rat': becoming animal in animated literary adaptations, Paul Wells (Loughborough University, UK); Part III: Reproducing the past; 10. Historicising the classic novel adaptation: Bleak House (2005) and British television contexts, Iris Kleinecke-Bates (University of Hull, UK); 11. Embodying Englishness: representations of whiteness, class and Empire in The Secret Garden, Karen Wells (Birkbeck College, UK); 12. Taming the velvet: lesbian identity in cultural adaptations of Tipping the Velvet, Heather Emmens (Queen's University, Kingston, Canada); 13. 'Who's the daddy?': the aesthetics and politics of representation in Alfonso Cuaron's adaptation of P.D James's Children of Men, Terryl Bacon and Govinda Dickman (University of the West of England, UK); Part IV: Afterlives; 14. Origin and ownership: stage, film and television adaptations of Daphne du Maurier's Rebecca, Rebecca D'Monte (University of the West of England, UK); 15. The post-feminist biopic: re-telling the past in Iris, The Hours and Sylvia, Josephine Dolan, Suzy Gordon and Estella Tincknell (University of the West of England, UK); 16. For the love of Jane: Austen, adaptation and celebrity, Brenda R. Weber (Indiana University, USA); 17. Glamorama, cinematic narrative and contemporary fiction, Ruth Helyer (University of Teesside, UK); Index.