Performer Training and Technology (inbunden)
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Format
Inbunden (Hardback)
Språk
Engelska
Antal sidor
202
Utgivningsdatum
2020-10-06
Förlag
Routledge
Medarbetare
Loukes, Rebecca (series ed.)
Illustratör/Fotograf
black and white 9 Illustrations 9 Halftones black and white
Illustrationer
9 Halftones, black and white; 9 Illustrations, black and white
Dimensioner
236 x 155 x 18 mm
Vikt
477 g
Antal komponenter
1
Komponenter
52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam
ISBN
9781138677807

Performer Training and Technology

Preparing Our Selves

av Maria Kapsali
Inbunden,  Engelska, 2020-10-06
2149
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Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heideggers thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice. The book offers in-depth discussions of present and past performer training practices through a lens that has never been applied before; considers the employment of key digital artefacts; and develops a series of analytical tools that can be useful in scholarly and practical explorations. An array of intriguing subjects are covered including the role of electric lights in Stanislavskys work on concentration; the use of handheld tools, such as sticks in Zarrillis psychophysical training and Meyerholds Biomechanics; the emergence of new forms of training in relation to motion capture technology; and the way the mobile phone complicates notions and practices of attention in learning and training contexts. This book is of vital relevance to performer training scholars and practitioners; theatre, performance, and dance scholars and students; and especially those interested in philosophies of technology.
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Övrig information

Maria Kapsali is a Lecturer in Physical Performance in the School of Performance and Cultural Industries at the University of Leeds.

Innehållsförteckning

Chapter 1: Introduction; Chapter 2 Between technique and technology: the actors instrument and the actors paradox; Chapter 3 - Beyond technique: critiquing technology and actor training in the 1960s; Chapter 4 - Using and Making Tools; Chapter 5 - Training the Homo Cellularis: Attention and the Mobile Phone in Performer Training; Chapter 6 - Training to be captured; Conclusion: Tools for Preparation

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