The Model as Performance (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
200
Utgivningsdatum
2018-11-01
Förlag
Methuen Drama
Medarbetare
McKinney, Joslin (series ed.)/Palmer, Professor Scott (series ed.)/Di Benedetto, Stephen A. (series ed.)/McKinney, Joslin (series ed.)/Palmer, Professor Scott (series ed.)/Di Benedetto, Stephen A. (series ed.)/McKinney, Joslin (series ed.)/Palmer, Professor Scott (series ed.)/Di Benedetto, Stephen A
Illustrationer
30 bw illus
Dimensioner
231 x 155 x 13 mm
Vikt
318 g
Antal komponenter
1
Komponenter
49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam
ISBN
9781350095908

The Model as Performance

Staging Space in Theatre and Architecture

Häftad,  Engelska, 2018-11-01
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The Model as Performance investigates the history and development of the scale model from the Renaissance to the present from a scenographic perspective and a performative paradigm that explores what the model can do and how it is used in theatre and architecture. It provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the models reality-producing capacity and its recent emergence in contemporary art practice and exhibition. For the undergraduate student, it provides a historical survey of the model, and to the postgraduate student, it opens up a new methodological approach. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality that challenges and redefines the relationship between object, viewer and environment. Case studies include Brunelleschis dome models and Bel Geddes Futurama, Mies van der Rohes mock ups and Zumthors atmospheric models, Anna Viebrocks life size boxes and Herzog & de Meurons miniature styrofoam exhibits. The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.
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Övrig information

Thea Brejzek (PhD, Mphil) is Professor for Spatial Theory at the University of Technology Sydney, Australia, and an internationally recognised expert in scenography. In 2011, she was the founding Curator for Theory at the Prague Quadrennial for Performance Design and Space (PQ). Recently, she has been a Visiting Professor at Bartlett School of Architecture, UK, and has been appointed to the international scientific advisory board of the Bauhaus, Dessau. Lawrence Wallen (PhD, MArch, BArch) is Professor and Head of School of Design at the University of Technology Sydney, Australia. From 2001-12 he was Professor of Scenography at the Zurich University of the Arts. A trained visual artist and architect, his research and practice is concerned with representation of space, spatial narrative and postcolonial readings of landscape.

Innehållsförteckning

List of Illustrations Introduction Chapter I. The Model as Idea and Object in Theatre and Architecture Chapter II. Staging Politics and Knowledge: From the Ideal Stage to the Model Room and the Mechanical Theatre Chapter III. Staging the Future: The Model as a Performance of Inhabitation Chapter IV. Staging Site: The Full Scale Model Chapter V. Staging the White Cube: The Model as a Performance of Space Chapter VI. Summary and Outlook References Bibliography Index