Embroidery and the Making of the Feminine
De som köpt den här boken har ofta också köpt Everything I Know About Love av Dolly Alderton (häftad).
Köp båda 2 för 580 krWhy is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radi...
Como es posible que, a finales del siglo xx, se hubiese borrado de la historia del arte a las mujeres como artistas en tan gran medida como para que la idea de el artista fuese exclusivamente masculina? Por que este borrado fue mas radical en el s...
Rozsika Parker (1945-2010) published widely in Art History and Psychoanalysis. The Subversive Stitch: Embroidery and the Making of the Feminine first appeared in 1984. Torn in Two: The Experience of Maternal Ambivalence was published in 1995. She and Griselda Pollock together wrote Old Mistresses: Women, Art and Ideology (1981) and edited Feminism: Art and the Women's Movement 1970-1985 (1987).
Acknowledgments Introduction 2009 1 The Creation of Femininity 2 Eternalising the Feminine 3 Fertility, Chastity and Power 4 The Domestication of Embroidery 5 The Inculcation of Femininity 6 From Milkmaids to Mothers 7 Femininity as Feeling 8 A Naturally Revolutionary Art? Notes to chapters Bibliography Glossary Index