Contemporary Performance Lighting (häftad)
Fler böcker inom
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
288
Utgivningsdatum
2023-02-23
Förlag
Methuen Drama
Medarbetare
Palmer, Professor Scott (series ed.)/McKinney, Joslin (series ed.)/Di Benedetto, Stephen A. (series ed.)/Palmer, Professor Scott (series ed.)/McKinney, Joslin (series ed.)/Di Benedetto, Stephen A. (series ed.)/Palmer, Professor Scott (series ed.)/McKinney, Joslin (series ed.)/Di Benedetto, Stephen A
Illustratör/Fotograf
32 colour and 7 bw illus
Illustrationer
32 colour and 7 bw illus
Antal komponenter
1
ISBN
9781350195165

Contemporary Performance Lighting

Experience, Creativity and Meaning

Häftad,  Engelska, 2023-02-23
355
  • Skickas från oss inom 7-10 vardagar.
  • Fri frakt över 249 kr för privatkunder i Sverige.
Finns även som
  • Ladda ned och läs i Bokus Reader.
    410
  • Ladda ned och läs i Bokus Reader.
    410
Visa alla 2 format & utgåvor
This is the first major collection of critical responses to performance lighting and includes contributions from award-winning lighting designers, researchers and artists. Showcasing recent examples of work with case studies of lighting practices in Britain, Europe, the US and China combined with theoretical and analytical approaches to practice, this will enrich your understanding of the role and potential of light in performance and related creative practices. This volume explores three core themes and provides a framework for thinking through the role of light in performance: 1. Experience considers both the audience's experience of light and the ways in which light influences the experience of performers 2. Creativity examines both the creative, performative capacities of light in performance, as well as the creative practices of lighting designers 3. Meaning offers an expanded view of performance aesthetics by examining the capacity of light to influence and generate meaning within performance. The case studies are drawn from a wide-array of lighting practice, including: Jennifer Tipton on the role of light as a structural language in performance; Jesper Kongshaug on the lighting of Copenhagen's Tivoli Gardens; Lucy Carter on her work in installation and dance; Psyche Chui on the productive fusion of Western lighting techniques with contemporary Chinese opera; Katharine Williams on the role of light in feminist political theatre made by RashDash; and Paule Constable on storytelling with light in a range of productions, including War Horse, The Curious Incident of the Dog in the Night Time and Angels in America.
Visa hela texten

Passar bra ihop

  1. Contemporary Performance Lighting
  2. +
  3. Two Hearts, One Beat

De som köpt den här boken har ofta också köpt Two Hearts, One Beat av Marcus Gunnarsen, Martinus Gunnarsen, Frida Söderlund (häftad).

Köp båda 2 för 574 kr

Kundrecensioner

Har du läst boken? Sätt ditt betyg »

Fler böcker av författarna

Recensioner i media

Contemporary Performance Lighting is a coming of age story for the field of lighting design. On the shoulders of a century of technical and artistic progress, a collection of international designers and thinkers usher in a new era for our discipline one in which meaning finally becomes the central pursuit. Seasoned practitioners and new designers alike will find inspiration in these terrific explorations. * Deanna Fitzgerald, Lighting Designer and Vice Dean, University of Arizona, USA * Light that immaterial material with the power to dematerialize performs as an agential force in our daily lives. But within the shadowy realms of theatres, galleries, found spaces and nocturnal outdoor sites, it is employed as a transformational aesthetic medium by artists of technical alchemy attentive to the subtleties and intensities of its appearing. This timely anthology critically celebrates light as a performative medium and an event in itself. Meditating on processes, practices and projects its contributors confront the politics of perception and constructions of visuality to challenge conventional hierarchies and assumptions not only in the world of theatre but within the world as theatre. Chapters explore its relevance to the performing, visual and spatial arts including architecture and urban design to reveal how lighting design integrates effects and affects to orchestrate, enliven and shape our individual and communal experiences. * Dorita Hannah, Designer and Independent Academic, New Zealand *

Övrig information

Katherine Graham is Lecturer in Theatre at the University of York, UK and currently co-convenor of the Theatre and Performance Research Associations Scenography Working Group. She has published work about light in Theatre and Performance Design and Contemporary Theatre Review and has worked extensively as a lighting designer for theatre and dance. Scott Palmer is Associate Professor in Performance Design at the University of Leeds, UK. His publications include chapters that focus on light, space and the technologies of performance and the monograph Light: Readings in Theatre Practice (2013). Kelli Zezulka is Lecturer in Technical Theatre (Production and Design) at the University of Salford, UK and has previously written for theatre journals and in applied linguistics. A practising lighting designer, she is also a non-executive director of the Association for Lighting Production and Design and editor of its bi-monthly magazine, Focus.

Innehållsförteckning

List of Illustrations Introduction: Thinking Light Katherine Graham (University of York, UK), Scott Palmer (University of Leeds, UK) and Kelli Zezulka (University of Salford, UK) Section One: Experience 1.1 Theatrical Atmospheres and the Experience of Light, Scott Palmer (University of Leeds, UK) 1.2 Felt Dramaturgies of Light, David Shearing (Royal Central School of Speech and Drama, UK) 1.3 Transforming the Visitor Experience Through Light: Tivoli Gardens: A Case Study, Jesper Kongshaug (architect and lighting designer, Denmark) 1.4 Narratives, Choreographies and Felt Experiences of Light, Lucy Carter (lighting designer, UK) 1.5 The Unbearable Brightness of Beams: Light, Darkness and Obscure Images, Yaron Shyldkrot (University of Leeds, UK) Section Two: Creativity 2.1 Language, Creativity and Collaboration, Kelli Zezulka (University of Salford, UK) 2.2 Northern Lights: Natural Light Phenomenon as Stage Lighting Concept, Michael Breiner (lighting designer and Danish National School of Performing Arts, Denmark) 2.3 Light in Contemporary Chinese Opera, Psyche Chui (Hong Kong Academy for Performing Arts, China) 2.4 RashDash: Fusing Feminism and Light, Katharine Williams (lighting designer, UK) 2.5 Reflecting on Light, Jennifer Tipton (lighting designer, USA) Section Three: Meaning 3.1 Aesthetics, Materiality and Meaning-Making in Scenographic Light, Katherine Graham (University of York, UK) 3.2 Storytelling with Light, Paule Constable (lighting designer, UK) 3.3 Tracing the Light: Light and the Process of Looking, Nick Hunt and Hansjorg Schmidt (Rose Bruford College, UK) 3.4 LX ludens: Mediations Upon the Play of Light, Christopher Baugh (University of Leeds, UK) Index