Spectatorship in the Age of Surveillance (häftad)
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Format
Häftad (Trade paperback)
Språk
Engelska
Antal sidor
100
Utgivningsdatum
2018-02-23
Förlag
Duke University Press
Dimensioner
251 x 190 x 8 mm
Vikt
318 g
ISBN
9781478001027

Spectatorship in the Age of Surveillance

av Miriam Felton-Dansky, Jacob Gallagher-Ross, Tom Sellar
Häftad,  Engelska, 2018-02-23
134
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Contributors to this special issue investigate the ways surveillance and the fields of theater and performance inform one another. Considering forms of surveillance from government mass spying to data mining to all-seeing social networks, the contributors demonstrate how surveillance has found its way into our lives, both online and off, and how theater and performance-art forms predicated on heightened experiences of viewing-might help us recognize it. This issue includes scripts, photographs, essays, interviews, and reviews from Live Arts Bard's 2017 performance biennial We're Watching, a series of commissioned performances paired with a conference of scholars and artists. The performances focus on the appropriation and integration of surveillance technologies into theater and performance, such as a piece that uses Python code and Twitter data to create performance text, and one that uses an interplay of video projection, movement, and poetry. Drawing on these performances and more, contributors collectively argue that contemporary surveillance is characterized by both anonymous systems of digital control and human behaviors enacted by individuals. Contributors: David Bruin, Annie Dorsen, Shonni Enelow, Miriam Felton-Dansky, Jacob Gallagher-Ross, Caden Manson, John H. Muse, Jemma Nelson, Jennifer Parker-Starbuck, Alexandro Segade, Tom Sellar
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Miriam Felton-Dansky is Assistant Professor of Theater and Performance at Bard College. Jacob Gallagher-Ross is Assistant Professor of English and drama at the University of Toronto and the author of Theaters of the Everyday: Aesthetic Democracy on the American Stage. Tom Sellar is Professor of Dramaturgy and Dramatic Criticism at Yale School of Drama and the editor of Theater.

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