At Work in the Ruins

'Drawing on decades of experience in climate journalism and activism, Dougald Hine's At Work in the Ruins is one of the most perceptive and thought-provoking books yet written about the multiple intersecting crises that are now upending our once-familiar world. Of particular importance is Hine's deeply respectful yet unsparing analysis of the strengths and limitations of science in reckoning with these crises. At Work in the Ruins is essential reading for these turbulent times.' Amitav Ghosh, author of The Great Derangement 'As it begins to dawn on us all that we won't "stop" climate change or "solve" the climate crisis, we are left looking into something of an abyss. Dougald Hine's brilliant book demands we stare into that abyss and rethink our securest certainties about what is actually going on in the climate crisis. It's lucidly unsettling and yet in the end empowering. There is something we can do, and it starts with where we look, how we see and what we choose to change.' Brian Eno, Musician 'In this age of confusion and corruption, Dougald Hine has always had a great gift for asking the right questions. Here he makes a stab at some answers, too - and, more bravely, identifies the places where 'answers' are not available and that the real work is rebooting our entire way of seeing. There are far too many books about climate change around, but this book is about something more unsettling: what our response to climate change reveals about us - and what we can't do about it, as well as what we can. You are certain to come away rethinking some of your own assumptions.' Paul Kingsnorth, author of Confessions of a Recovering Environmentalist 'Dougald Hine's book At Work in the Ruins is a deep reflection on the foundations of the destructive path humanity has been pushed on, driven by colonialism, modernity and fossil fuel addiction, by its love for centralization, control, consumerism, certainty. By stopping to talk about climate change and the other problems we face, Dougald invites us to make deeper shifts by making a turn in our hearts and minds, seeking smaller paths, paths to be discovered and walked along by individuals and communities, paths of diversity and decentralization. And trust uncertainty.' Vandana Shiva, author of Terra Viva 'I'll get right to it: every time the world ends, it leaves a mark. Yes. Implicitly, the apocalypse is not new. There have been many before. But this mark I speak of...it is like a signature. A prophetic molecule of sorts. A sense of discomfort with the rush of the familiar. A taste for questions too slippery for the public imagination. A slant of the eye. An initiation that queers the flesh. Like fungal spores inseminating a zombie ant in the forest. A virus. Not to worry: Not everyone is so marked. But Dougald Hine clearly is. Dougald Hine is mad. And he has my full attention and trust. In this sonorous swoosh of earnest prose composed with the cadence of a fugitive journalist who has a news story that should end all other stories - as well as the unmistakable lilt of an elder who would have sat at the edge of my Nigerian village - Dougald ushers us into the Gordian knots of our strange times where 'following the science', 'solving the climate challenge' and 'saving the world' no longer hold much cartographical promise. Ironically, talking this way about a phenomenon that calls into question humanity's claims to sovereignty is how the modern machine keeps reproducing the fires we want to extinguish. Pushing past popular tropes, Dougald helps us see that how we talk about and address this end-of-world crisis is the crisis. Something else is needed. Mutiny of some kind. An apostasy. Definitely more than a manifesto, a new solution or a new campaign. Let Dougald Hine's masterful storytelling mark you; let his song of loss and longing, his call to fugitivity, dispossess you of your steady gait and poise. Perhaps then we, collectively infected, m

Dougald Hine is a social thinker, writer and speaker. After an early career as a BBC journalist, he cofounded organizations including the Dark Mountain Project and a school called HOME. He has collaborated with scientists, artists and activists, serving as a leader of artistic development at Riksteatern (Sweden's national theatre) and as an associate of the Centre for Environment and Development Studies at Uppsala University. At Work in the Ruins concludes the work that began with Uncivilization: The Dark Mountain Manifesto (2009), co-written with Paul Kingsnorth, and is his second title with Chelsea Green, following the anthology Walking on Lava (2017).