I'm Ok, I'm Pig!

'Kim Hyesoon writes flowingly and choreographically a panorama of hovering hatelove for the birthing body, for cruelty and existence and for the expansive thinking and dizzyingly borderless universe-geography. Kim Hyesoon writes hatelove as a stone-hard feminist life-and-death dance. As garbage, love and death accumulate in her poems, your world will be changed for real!' - Aase Berg. 'Miraculous weaponry! Miraculous translations! This kind of undomesticated engagement and lawlessness and risk and defiance and somatic exorbitance posits a world and a relation to the world where everything excluded is included - the animal and the vegetal, the molten and the mineral, the gaseous and the liquid, not to mention shame, disgust, failure, terror, raunch. The final poem "Manhole Humanity" deserves its place alongside Cesaire's Notebook of a Return to the Native Land or Ginsberg's Howl or Inger Christensen's It. Kim Hyesoon's new book is armament and salve, shield and medicinal chant. It's here to protect us' - Christian Hawkey.

Kim Hyesoon began publishing in 1979 and was one of the first few women in South Korea to be published in Munhak kwa jisong (Literature and Intellect), one of two key journals which championed the intellectual and literary movement against the US-backed military dictatorships of Park Chung Hee and Chun Doo Hwan in the 1970s and 80s. She has since won numerous literary prizes, and was the first woman to receive the coveted Midang (2006) and Kim Su-yong (1998) awards named after two major modern poets. Midang was a poet who stood for pure poetry (sunsusi) while Kim Su-yongs poetry is closely associated with engaged poetry (chamyosi) that displays historical consciousness. She lives in Seoul and teaches creative writing at the Seoul Institute of the Arts. She has published three selections of her work in the US with Action Books, Mommy Must Be a Fountain of Feathers (2008), All the Garbage of the World, Unite! (2011) and Sorrowtoothpaste Mirrorcream (2014), and one with Bloodaxe Books in the UK, I'm OK, I'm Pig! (2014), all translated by Don Mee Choi; and most recently, Don Mee Choi's translation of Autobiography of Death (New Directions, USA, 2018), winner of the International Griffin Poetry Prize in 2019.