Postmemory Theatre Experiments in Mexico
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Köp båda 2 för 609 krExploring the role of performance in tourist and nationalist contexts,Embodying Mexico analyzes the making of icons in twentieth-century Mexico, as local dance, music, and ritual practices are transformed into national and global spectacles. Drawi...
"[Hellier-Tinoco] offers an in-depth look at La Maquina de Teatro, documenting and analyzing four of the company's recent projects. . . . By shining a spotlight on La Maquina, Hellier-Tinoco through her book also calls attention to what she characterized as the 'profound and exhilarating' performance and theater happening throughout Mexico more broadly."--The Current
Ruth Hellier-Tinoco is a professor of performing arts (music, theatre, dance) and performance studies at the University of California, Santa Barbara. As a scholar-creative artist her work explores intersecting performance practices of identity, memory, history and environments, particularly in Mexican cultural contexts, with a focus on community-engagement, power relations and playful creative experiments. She is editor of the multidisciplinary journal Mexican Studies (Estudios Mexicanos).
List of illustrations Acknowledgements Section One: Outlines Introduction: Creating theatre through remains of bodies of history Chapter 1: Performing re-visions: Palimpsests, postmemory, rememory and remains Chapter 2: La Mquina de Teatro: Trans-temporal theatres, bodies and environments in Mexico Section Two: Four Performance Projects Chapter 3: Mexican Trilogy: Scenic correlation of memory and times - Five performers, three years, three entangled parts: Nezahualcyotl / Scenic Correlation of Memory and Times; Moctezuma II / The Dirty War; Malinche / Malinches Chapter 4: Zapata, Death Without End: Five collectives, one year, co-participatory performance Chapter 5: War in Paradise: Twenty-five performers, three weeks, work-in-progress Chapter 6: Time of the Devil: Trans-solo, one body, many body parts Epilogue: Theatre for generating futures: Performing archives, remaining differently References Notes Index