the Cinema of a Cultural Traveller
De som köpt den här boken har ofta också köpt Truman av David McCullough (häftad).
Köp båda 2 för 1001 krFILM INTERNATIONAL'Discusses every Polanski-directed film up to Oliver Twist, and thankfully focuses on inter-film analysis that neither dwells on nor ignores the artist's biography'
Ewa Mazierska is Reader in Contemporary Cinema at the University of Central Lancashire. She is co-author, with Laura Rascaroli of From Moscow to Madrid: European Cities and Postmodern Cinema (I.B. Tauris, 2003) and Crossing New Europe: The European Road Movie (2006), and with El bieta Ostrowska, Women in Polish Cinema (2006).
Contents Introduction 1. The autobiographical effect in the cinema of Polanski 2. The absurd and how to deal with it: narratives and characters in Polanski's films 3. Landscapes and inner sceneries: recurring visual motifs of Polanski's films 4. All that jazz and noise: music in Polanski's films 5. Trust yourself: Polanski's ideology 6. Adapt to survive and express oneself: Polanski's encounters with literature 7. Matrix or empty vessel: Polanski's uses of genre conclusion: the cinema of a cultural traveller Appendix: Filmography (with technical details and synopses Notes Bibliography Index