Being, Loss, Memory
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Köp båda 2 för 575 kr'You'd have to be dead to know more about ghosts than Julian Wolfreys.' Martin McQuillan, Univ. of Leeds
Julian Wolfreys is Professor of English at the University of Portsmouth.His research covers the nineteenth century and English modernism, with particular interests in inter- and transdisciplinary approaches, while also being informed by continental philosophy from Kant to the present day, and with a particular philosophical interest in phenomenology. He has published widely on Romanticism, Victorian literature, Modernism and postmodern literature and culture, with particular interests in questions of identity and subjectivity, the politics and poetics of urban representation, the rural subject in English culture, perception in literature, and the relationship between language, music and that which cannot be expressed directly. He is currently working on a study of Victorian poetry and the influence of German Romanticism, and the question of place and dwelling in novels of the late nineteenth and early twentieth centuries, from the perspective of the concept of "dwelling".- See more at: http://www.triarchypress.net/wolfreys.html#sthash.B3aP7jK7.dpuf
ACKNOWLEDGEMENTS - 7 PREFACE - 9 TO START FROM LOSS... 12 ...I AM, YET WHAT I AM...18 ...SOMEONE WHO IDENTIFIES HIM- OR HERSELF AS 'EUROPEAN'...20 ...DWELLING THROUGH THE CAREFUL READING OF THE TRACES OF THE PAST...35 ...THEY STAY WITH US AS AFTERIMAGES, TRACES OF A FAMILIAR CONVENTIONALITY THAT IS LOST, BUT REMEMBERED...46 ...A MATTER OF UNTHINKING RESIDENCE...50 ...ESSENTIALLY DECORPOREALISED VISIONS...55 ...HAUNTING, THE SPECTRAL AND THE UNCANNY...62 ...AN ARCHIVE OF THE TRACES OF EXPERIENCE...66 ...A SERIES OF APPARITIONS...69 ...IT IS PERHAPS A QUESTION OF MEMORY, AND MODERNITY, IT SEEMS, IS TO BLAME...87 ...IT IS AS IF ALL THE WORLD TOUCHED ME...95 ...THE GHOSTS ARE ALREADY HERE OF COURSE...101 ...THERE IS THE PRIMACY OF PERCEPTION, WHICH IS GROUNDLESS...108 ...ALL POSSIBLE MEANINGS RESONATE...117 ...ALL MEMORY IS THE MEMORY OF LOSS...121 ...THE APPARITION IS CALLED UP AS MUCH AS IT ARRIVES UNBIDDEN...137 ...DO YOU SEE WHAT I MEAN?...151 ...I IS THE FRAME BY WHICH I NAME MYSELF...156 ...THIS IS MY PERCEPTION, IN THE PERCEPTION OF THE OTHER...159 ... "O FOR THE TOUCH OF A VANISH'D HAND!"...161 ...WHAT DOES IT MEAN TO SAY ONE IS TOUCHED?...162 ...THERE IS A "GAP IN LOCAL CONTINUITY AS WELL AS SENSE"...163 ...WE HOLD ON, OR MAKE-BELIEVE WE DO, TO AN EMPIRICAL PAST WE CAN NO LONGER HAVE... 165 ...THERE IS...THAT WHICH IS 'FELT FROM WITHIN'...170 ...WHAT WOULD CONSTITUTE AN INVISIBLE APPEARANCE? ...182 ...PAUSE IN ORDER TO RETHINK, OR SIMPLY TO THINK FOR A FIRST TIME...190 ...WE ARE OPENING OURSELVES TO A DIFFERENT MATERIALITY, AN (A)MATERIAL HISTORICITY OF THE SUBJECT...194 ...ALLOW ME TO CONJURE THE SCENE FOR YOU...196 ...VISITATION OF ANY KIND IMPLIES THAT 'ABSOLUTE HOSPITALITY' MUST BE EXTENDED...206 ...APPEARANCE IS EVERYTHING HERE...213 ...THERE IS A POINT OF INVISIBILITY, A LIMIT TO VISIBILITY...215 ...CAN THIS GHOST TOUCH YOU IN THE SAME WAY?...222 ...THERE IS NO ACCOUNTING, NO GENERAL PRINCIPLE BY WHICH ONE'S BEING HAUNTED CAN BE CONSIDERED THE SAME FOR EVERYONE... 225 ...WE MIGHT BEGIN TO THINK... IN TERMS OF...THE GIVENNESS OF BEING, IF WE ARE TO START WITH LOSS 227 WORKS CITED 233