So We Look to the Sky

Winner of the Shugoro Yamamoto Prize and Book Magazine (Hon no zasshi) Book of the Year "So We Look to the Sky arrives on American shores this month with a glittering translation from Polly Barton. Building on the wave of such recent hits as Convenience Store Woman and Breasts and Eggs, Misumi Kobo paints a prismatic and unflinching portrait of modern life, grappling with knotty issues of fertility, childbirth, abuse, poverty, and illness with an effervescent touch that never feels forced.Chicago Review of Books, 12 Must-Read Books of August Compulsively readable. These characters become as real as one's neighbors, and the issues they contend with are also one's own: gossip, abuse, dementia, childbirth, menopause. . . . And woven through it all, an authorial voice both mind-bending and blindingly bright, producing utterances of self-understanding so clear they shoot right through her narrators with a sense of the almost magical.Katherine Forbes Riley, award-winning author of The Bobcat: A Novel The intertwining stories in Misumi Kubo's utterly original and enthralling novel take an unflinching look at the messy physicality of human experience. So We Look to the Sky offers a tender, troubling, and ultimately inspiring vision of the ways our lives are connected even as our struggles are our own.Jean Hegland, author of Into the Forest and Still Time Pressingly real . . . Alive with a sense of understanding of the way things really work out there in the world. One senses a message lurking within these pages that, if Japanese society wants to heal its wounds and head in a less dysfunctional direction, it needs is to reevaluate what life really means through a deeper grasp of sex. . . . In these pages you will find the lives of all of us.Japan Times / Shukan Asahi A searing and prismatic portrait of the relentless pressures of ordinary life in modern Japan.PEN/Heim grant awards committee Painting an intricate portrait of women, family, love, and friendship, So We Look to the Sky questions the nature of sexuality and indeed life itself. . . . Anzus feelings as she undergoes fertility treatment, depictions of birth spilling over with life force, and the sex scenes are all written with the same passion.Niigata Nipp Addressing matters as diverse as desire, infertility, bullying, reclusion, poverty, dementia care, and infidelity, the plot's twists and turns range widely, to be sure. And yet, despite the surfeit of action, the narrative never feels forced. Rather, theres a cool assurance to the prose. Instead of journalistic excess, the book relays with great realism the wails, pangs, and sighs of those whom lifes trials and tribulations have left feeling helpless and burdened.Fujin Kron There are no easy solutions in these stories, but they nonetheless instill in their reader a belief in the power of life.Nihon Keizai Shimbun "Wonderful . . . Has both the sensuous power and the humor of a dream. . . . . Reminiscent of Han Kang's The Vegetarian."Naomi Alderman, bestselling author of The Power, on "Mikumari," the short story that became chapter 1 of So We Look to the Sky At the heart of this story is a huge affirmation of birth and living. Its what makes it such a joy to read.Author Kiyoshi Shigematsu, member of the jury for the R-18 Prize ("Stories for Women by Women") awarded to "Mikumari"

Misumi Kubo withdrew from junior college and worked for an advertising company before turning freelance as a writer and editor. She is the author of seven novels. She won the R-18 Literature Prize in 2009 for the short story that became the first chapter of So We Look to the Sky, her debut novel, which won the Yamamoto Shgor Prize, placed second in the voting for the Japan Booksellers' Award, and was a runaway bestseller. Her next novel, Stray Whale on a Sunny Day, won the Futaro Yamada Prize, and in 2018, Staring at Our Hands was shortlisted for the Naoki Prize. She lives in Japan. Polly Barton is a translator of Japanese fiction and nonfiction. She has translated short stories for Words Without Borders, the White Review, and GRANTA. Full-length translations include Where the Wild Ladies Are by Matsuda Aoko, Spring Garden by Tomoka Shibasaki, and There's No Such Thing as an Easy Job by Kikuko Tsumura. After being awarded the 2019 Fitzcarraldo Editions Essay Prize, she has written a memoir about her experiences learning and translating Japanese, entitled Fifty Sounds. She lives in the UK.