Conviviality at the Crossroads (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
290
Utgivningsdatum
2020-09-11
Upplaga
1st ed. 2020
Förlag
Springer Nature Switzerland AG
Medarbetare
Povrzanovi Frykman, Maja / Ristilammi, Per-Markku
Illustrationer
2 Tables, color; 1 Illustrations, color; 2 Illustrations, black and white; XI, 290 p. 3 illus., 1 il
Dimensioner
210 x 148 x 16 mm
Vikt
363 g
Antal komponenter
1
Komponenter
1 Paperback / softback
ISBN
9783030289812
Conviviality at the Crossroads (häftad)

Conviviality at the Crossroads

The Poetics and Politics of Everyday Encounters

Häftad Engelska, 2020-09-11
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Conviviality has lately become a catchword not only in academia but also among political activists. This open access book discusses conviviality in relation to the adjoining concepts cosmopolitanism and creolisation. The urgency of today's global predicament is not only an argument for the revival of all three concepts, but also a reason to bring them into dialogue. Ivan Illich envisioned a post-industrial convivial society of 'autonomous individuals and primary groups' (Illich 1973), which resembles present-day manifestations of 'convivialism'. Paul Gilroy refashioned conviviality as a substitute for cosmopolitanism, denoting an ability to be 'at ease' in contexts of diversity (Gilroy 2004). Rather than replacing one concept with the other, the fourteen contributors to this book seek to explore the interconnections - commonalities and differences - between them, suggesting that creolisation is a necessary complement to the already-intertwined concepts of conviviality and cosmopolitanism. Although this volume takes northern Europe as its focus, the contributors take care to put each situation in historical and global contexts in the interests of moving beyond the binary thinking that prevails in terms of methodologies, analytical concepts, and political implementations.
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Övrig information

Oscar Hemer is Professor of Journalistic and Literary Creation at Malmoe University, Sweden. His latest publications include the novel Misiones (2014), the co-edited collection In the Aftermath of Gezi: From Social Movement to Social Change? (2017) and the forthcoming book Contaminations and Ethnographic Fictions: Southern Crossings. Maja Povrzanovic Frykman is Professor of Ethnology at Malmoe University, Sweden. Her recent publications include Sensitive Objects: Affect and Material Culture (2016), Migration, Transnationalism and Development in South-East Europe and the Black Sea Region (2017) and a Swedish-language monograph on on highly skilled migrants in Sweden (2018). Per-Markku Ristilammi is Professor of Ethnology in the Department of Urban Studies at Malmoe University, Sweden. His research focuses on the construction of alterity in urban environments, and he has also been engaged in several research projects concerning identity and integration in the transnational OEresund region.

Innehållsförteckning

Chapter 1: Conviviality vis-a-vis Cosmopolitanism and Creolisation: Probing the concepts Chapter 2: Fantasy of conviviality: banalities of multicultural settings and what we do (not) notice when we look at them Chapter 3: Creolisation as a Recipe for Conviviality Chapter 4: Schleiermacher's Geselligkeit, Henriette Herz, and the 'Convivial Turn' Chapter 5: Cosmopolitanism as Utopia Chapter 6: Creolizing Conviviality: Thinking Relational Ontology and Decolonial Ethics through Ivan Illich and Edouard Glissant Chapter 7: A Convivial Journey: From Diversity in Istanbul to Solidarity with Refugees in Denmark Chapter 8: Bringing Conviviality into Methods in Media and Migration Studies: Chapter 9: Post-2015 Refugees Welcome Initiatives in Sweden: Cosmopolitan Underpinnings Chapter 10: The Bridge - Redux: The Breakdown of Normative Conviviality Chapter 11: Charting a Convivial Continuum in British Post-War Popular Music 1948-2018 Chapter 12: Footballers and Conductors: Between Reclusiveness and Conviviality Chapter 13: Impurity and Danger. Excerpt from Cape Calypso Chapter 15: Seeing Johannesburg Anew: Conviviality and Opacity in Khalo Matabane's Conversations on a Sunday Afternoon